The Invisible
Nineteen imaginary figures of miners—a tribute to all those who lived in Serifos during the years of mining.
To the invisible ones.
To those who laboured, who risked their lives, and who were buried beneath the earth—inside the mines, within the very soil.
People unknown to me, yet deeply important to those who loved them and to the history of this place.
I have always been moved by our relationship with our ancestors—those who lived
hundreds or even thousands of years before us, under conditions we can scarcely imagine.
Their lives were brief journeys, seemingly insignificant against the vastness of time and the immensity of the earth.
And yet, it is their stories that brought us here.
Today, we lie on the pebbled shore after a refreshing dive into the Aegean, gazing with awe at the rusted iron structures of the mines.
We try to imagine the people and the ships that once came and went.
We look toward the silent mountains and
the abandoned wagons.
How did those people live their ordinary, everyday lives?
For them, the sea was never a place of freedom.
It was those lives I imagined—their anxieties, their hopes, their faces, carved and furrowed like the earth they walked upon. The same earth that sustained them, in whatever measure it could.
These figures emerged almost by themselves from the clay.
It was as though they
asked to be born.
The invisible, now made visible, once existed.
They still exist, and they will
continue to exist—in memory, in history, and in the traces they left behind.
They are the ones who quietly shape the world, placing one small stone upon another,
day after day, from sunrise to sunset.
- Stoneware clay
- Celadon glaze
- Slips with soils, sand and minerals from Serifos
Leonie Yagdjoglou
Λεώνη Γιαγδζόγλου

Leonie Yagdjoglou is a visual artist living and working in Athens. For the past
eighteen years, her artistic practice has focused on ceramics, which she
approaches as a sculptural and narrative medium. Through it, she brings together
the two defining threads of her practice: design and painting.
She studied at Vakalo Art & Design College and at Art Center College (Europe) in
Montreux, Switzerland, specialising in Communication Design (Bachelor of Fine
Arts). Before dedicating herself exclusively to her artistic practice, she worked for
many years as an art director at MILK Design in Cologne, of which she was also a
key visionary. Later, upon her return to Greece, she founded MILK in Athens, where
she remained partner and creative director until recently.
She has presented her work in six solo exhibitions:
- My self as a room (DEPAM,
Mykonos, 2017) - Objects born not made (KARYBU, Tinos, 2019)
- Narratives
from ceramic creations (Art Appel Gallery, Athens, 2020) - The Queen Undressed
(IRIS Gallery, Athens, 2022) - Ceramystique (Benaki Museum Shop, Athens, 2023)
- Where I come from (Contemporary Athens)
She has participated in group exhibitions in Greece and abroad, including When
Law goes pop(!) - Project {Just/Art} (Athens Municipality Arts Center), Emergency
(Sealed Earth) and Bookmorphs (London).