Material Matters
Matter within matter, in interaction. A challenge!
Matter emerging from within the body of the clay, at times merging with it. Different earths from Serifos, sometimes blended together, at other times layered.
Tall and poised, the vessel stands proud. It transforms into organic forms—a container that holds, encloses, carries within.
Here and there, it extends into fragments of lace: a keepsake evoking a sense of familiarity, family, and security. A continuation of the vessel’s rim. It recalls an earlier state of the clay, before the kiln—softness, lightness.
They coexist and converse. Perhaps, they even love one another.
- Mixture of Serifos' minerals in high-fired white clay and Parian porcelain
- Clay slabs joined and formed over a coconut shell mould
- Incorporation of a piece of old cotton lace, a family heirloom.
Sofia Sotiropoulou
Sofia Sotiropoulou

Sofia Sotiropoulou studied Interior Architecture at VAKALO Art & Design College in Athens (2002–2004) and continued her studies at the Polytechnic University of Catalonia in Spain, where she obtained a postgraduate degree in Interior Architecture (2004–2008).
Her engagement with ceramics began in 2012 in Uruguay, at the Piriápolis Cultural Centre in Maldonado. Upon returning to Greece, she continued her training in a range of ceramic techniques and approaches, including mould-making, wheel throwing, ceramic technology and hand-building. From 2016 to 2018, she studied at the Iridanos School of Ceramics in Kerameikos, Athens, under Menandros Papadopoulos, Nikos Sklavenitis and Yiannis Liakos.
For Sofia, clay is a medium through which ideas acquire material and three-dimensional form. The direct relationship with the material, and the ability to create objects with volume, weight and a tangible physical presence, lie at the core of her artistic practice. Ceramics is, for her, both a field of continuous exploration and an ongoing creative challenge.
Since February 2018, she has run her own ceramics studio, fulfilling a lifelong dream and creating a space dedicated to daily practice, research and experimentation with clay.
Ceramic Studies
- 2012–2013 — Ceramics, Piriápolis Cultural Centre, Maldonado, Uruguay
- 2013–2015 — Ceramics & mould-making, Terra Nigra, Christos Vlioras, Athens
- 2015–2016 — Ceramics & wheel throwing, Vasiliki Charolidi, Neo Irakleio, Athens
- 2016–2018 — Ceramics, wheel throwing, ceramic technology & hand-building, Menandros Papadopoulos, Nikos Sklavenitis, Giannis Liakos, Iridanos School of Ceramics, Kerameikos, Athens
Selected Exhibitions
- 2017 — Iridanos Kerameon Potamos, student group exhibition, Association of Greek Archaeologists, Athens
- 2020 — 58th & 60th Panhellenic Ceramic Art Competition, Marousi
- 2021–2025 — Greek Ceramix Contemporary & MON COIN Studio, Ceramic Art Exhibitions, Athens
- 2022 — ANAMESA, Appaloosa, Ermoupoli, Syros
- 2023 — Do Nothing, MYRO Gallery, Contemporary Art Gallery
- 2024 — Please Disturb Me, curated by Giannis Kolokotronis, Kantza
- 2026 — Invisible Seams, group exhibition, Imagine Visual Arts, Paiania, curated by Elani Gatsa
Seminars & Workshops
- 2012 — Raku & paper kiln, Piriápolis Cultural Centre, Maldonado, Uruguay
- 2015 — Mediterranean kiln, Terra Nigra & 18 Ano, Plato's Academy, Athens
- 2017 — Model-making, Stellios Laskaris, Iridanos, Athens
- 2017 — Mediterranean kiln, Iridanos, Athens
- 2018 — Rafa Pérez, Kerameon Ichni, Patras
- 2019 — Terra Sigillata, Sektor 30, Athens
- 2019 — Terra Sigillata in Raku, Theodora Chorafa, Aegina
- 2019 — Single-firing glazes and other techniques, Ilias Christopoulos – Kerameon Ichni, Patras
- 2019 — Reduction firing in a saggar, Maro Kerasioti, Iridanos School of Ceramics, Athens
- 2021 — International Ceramics Symposium, Aegina
- 2022 — Introduction to High-Fire Glazes, Giorgos Vavatsis & Nikos Sklavenitis, Iridanos School of Ceramics, Athens
- 2023 — Mould-making, Myrto Kollia, Athens
- 2024 — Ceramic Slips, Giorgos Vavatsis & Nikos Sklavenitis, Iridanos School of Ceramics, Athens